The Squirrels
by Robert Askins
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Part Romeo and Juliet, part King Lear, and part MacBeth, The Squirrels is a tragi-comical epic of prejudice and greed among squirrels living in a very divided tree. Robert Askins’ (Hand to God) furry new play is a boundary-pushing, darkly satirical look at wealth inequality in which no creature comes out unscathed.
"This cleverly written...production takes audiences on quite a wild ride. It's a jaw-dropping, spellbinding, and thoroughly enjoyable evening of theatre." -Broadway World
Cast & Crew
Cast:
Dev Luthra as Sciurus
Cara Clough as Mammalia
Mateo Bailey as Carolinensis
Sophia Koevary as Rodentia
Mateo Bailey as Carolinensis
Audrey Johnson/Parker Jennings (role shared) as Chordata
Directed by Brooks Reeves
Movement Choreography by Audrey Johnson
Fight Choreography by Matt Dray
Scenic & Sound Design: Joseph Lark-Riley
Costume Design: Susan Paino
Lighting Design: Danielle Fauteux Jacques
Stage Manager: Laura Hubbard
ASMs: Miguel Dominguez, Gabriel Pagan, Max Wanty
Robert Askins (playwright) is the author of the Tony-nominated and Obie Award-winning Broadway hit Hand to God, which enjoyed a run on London’s West End and was nominated for the Olivier Award for Best New Comedy. His comedy Fish Display was part of the 2012 Ojai Playwrights Conference, and his play Permission, also developed at OPC, had its world premiere Off Broadway at MCC Theater in Spring 2015. Askins is currently working on a new a musical and plays with La Jolla Playhouse, the Alley Theatre, and Joey Parnes Productions. In addition, he’s a writer on the AMC series The Son, starring Pierce Brosnan. He is the recipient of two EST/Sloan grants, the Helen Merrill Emerging Playwrights Award, and an Arch and Bruce Davis Award for Playwriting.
"Parker Jennings is a Triumph as Hedda" —Theater Mirror
TicketsFor a taut psychological drama fraught with sexual tension, Henrik Ibsen’s Hedda Gabler remains unrivaled, and Parker Jennings delivers a mesmerizing performance.-Stage and Cinema
Hedda Gabler is both thrilling and chilling, a testament to Apollinaire Theatre’s ability to breathe fresh urgency into a timeless classic.-Stage and Cinema
Actor Spotlight
PARKER JENNINGS
PARKER JENNINGS was most recently seen in Apollinaire’s Every Brilliant Thing, Touching the Void (Sarah), Suppliant Women (Chorus Leader), and Lunch Bunch (Tuttle). Other credits include Prague Shakespeare Company’s productions of Romeo and Juliet (Capulet) and Taming of the Shrew (Hortensia), Speakeasy Stage’s People Places and Things, NY Theatre Festival’s Hurry Home, Macbeth (Lady Macbeth), and Boston Conservatory’s Blue Neighborhood and Shrek. www.parkerjennings.net | IG: @_parkerjennings
Age Recommendation & Content/Stage Effects Advisory
CONTENT: Live theatre aims to be exciting and engaging, and to create a forum for vital conversations both personal and political. Apollinaire Theatre does not offer age recommendations or advisories about the content of shows, as individuals and parents are the best judge of what is appropriate for themselves and their children and sensitivities vary from person to person. Please click below to learn more about the content of the show. If you have further questions, contact the box office at 617-887-2336.
Director Spotlight
Brooks Reeves~The Squirrels
Brooks Reeves recently directed The Antelope Party and wrote and appeared in And Your Little Dog Too • Y Tu Perrito También. He also played multiple roles in The Importance of Being Earnest (Elliot Norton Award for Outstanding Ensemble). Other Apollinaire shows include The Suppliant Women, Lunch Bunch, The Strange Undoing of Prudencia Hart (Elliot Norton Award for Outstanding Ensemble), Romeo & Juliet, Midsummer Night’s Dream, Three Sisters, The Visit, Hamlet (as Hamlet and as Claudius), Brilliant Adventures, Midsummer, From White Plains, Blood Wedding, and the Norton winning Stupid Fucking Bird. Brooks has worked with the Golddust Orphans (Legally Blind: The Hellen Keller musical), with Bridge Rep (Julius Caesar, The Libertine), Stoneham Theater (Neville's Island), Company One (An Octaroon, Shockheaded Peter), Central Square Theater (Arabian Nights), Zeitgeist Stage (Love! Valour! Compassion!, Bent, Boys in the Band), Hub Theatre of Boston (Tartuffe), Brown Box, Happy Medium, and Bad Habit Productions. He made his Boston area directing debut at Apollinaire with Winter Solstice by Roland Schimmelpfennig, and directed The Christians by Lucas Hnath, Hir by Taylor Mac, and co-directed Wild Swimming by Marek Horn.